> I can't load a single GitHub pull request without being accused of botting.
The only time I encountered this was after a power outage when my ISP's DHCP server handed me a new IP that was tainted. It felt like every major website was suddenly full of captchas.
Eventually I had to unplug the router for 24 hours until the ISP let go of my DHCP reservation. When I reconnected it gave me a new IP and the problems went away.
Both C#m and Db can be played on piano using only the black keys (skipping the 3rd note of the scale). This makes them easy keys for beginners. I'm not sure if that's the reason, but it could be related.
Anecdotally, I know a few vocalists that sound great in these keys and use them as a starting point
As a belated followup, I should observe that if you're playing "in C sharp minor" on the black keys, you're skipping notes 3, 6, and 7 of the scale... and those are the only notes that differ between a minor scale and a major scale, making the "minor" designation completely meaningless.
For electronic music, it's around the lowest bass root note that most systems can play well without a subwoofer. C pretty much requires a sub and things rarely go lower than that.
Electronic dance music is the biggest genre in the data. So then easy to play shouldn't matter. It's still an interesting question. I think playing Db is pretty nice on the piano even if it's not the easiest.
There is a sweet spot for the bass. Lower is better for deep bass, but too low and it stops being a recognizable note, and consumer speakers can't reproduce it. This effect exists though I'm not sure if it is the cause of the pattern here.
C# I don’t believe was/is a common tuning for most western instruments, classical or modern.
A digital piano can transpose things to make it “easier” to play.
Cursory google search says that a sitar is traditionally tuned to something useful for c#
I’m curious if C# is one of those notes that lines up nicely with whatever crappy consumer stereos/subs were capable of reasonable reproducing in the 90s as electronic music was taking off and it stuck around as a tribal knowledge for getting more “oomph” out of your tracks.
It really depends on the complexity of code. I've found models (codex-5.1-max, opus 4.5) to be absolutely useless writing shaders or ML training code, but really good at basic web development.
Interesting, I've been using Claude Max with UE5 and while it isn't _brilliant_ with shaders I can usually get it to where I want. Also had a bit of success with converting HLSL shaders to GLSL with it.
12-15 hours of recording is maybe 2 weeks usage for heavy users. It would've been perfect if it could connect to computers and had a rechargeable battery. Oh well, hope someone else takes inspiration and makes the same thing but can recharge.
> It would've been perfect if it could connect to computers
If their goal truly is "New Pebble", then surely something that could connect to a phone could connect to a computer, granted you have the available radios connected to your computer. Seems to be BT in this case.
> and had a rechargeable battery
Yeah, seems like a weird thing to do, but I guess trying to solve this would make the device a lot harder. Hoping at least there will be a DIY route to replace the batteries, I don't have the will to be sending back an electrical device every second month because the battery died, and then waiting for a new device to arrive in the mail.
Edit: I was just about to ask if you think they'll send the replacement device before you've sent in the one that had the expired battery, but now I realize it isn't even clear if they expect us to buy a brand new device when the battery runs out, or if they provide a replacement? The former would be an absolutely bananas proposition.
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